Showing posts with label This Band Could Be Your Life. Show all posts
Showing posts with label This Band Could Be Your Life. Show all posts

Monday, June 25, 2012

Dolly Rocker Ragdoll

Akron Empire would like to welcome guest blogger Dominic Caruso.  Dom is a graphic designer and the person who helped make Akron Empire's blog masthead.  Dom first saw Dolly Rocker Ragdoll perform at Weirdfest, the all-day festival of art and music at Devilstrip Dolly's last Memorial Day weekend.
This Band Could Be Your Life: Dolly Rocker Ragdoll
by Dominic Caruso
 
Go down into some of the hidden pockets of unrepentant wildness in our
sprawling, gleefully weird Rubber City, and in the shadows of the
post-industrial overgrowth, in the old buildings and the factory
houses that have been simultaneously reclaimed and set free, in the
heat of the summer nights, you may be lucky enough to witness the
otherworldly thump, howl, and apocalyptic blues of Dolly Rocker
Ragdoll.



While he often performs alone or with his girlfriend Ibsy, I recently
caught a particularly incendiary Dolly Rocker Ragdoll performance as a
3-piece group at Weirdfest in Akron. For this show, Ragdoll's wild
stompbox, fervidly primitive blues guitar, and tent revival-style
shouts, hoots, and yelps, were accompanied by the ethereal
counterpoint of Ibsy's occasionally operatic background vocals, and
the levitational dynamism of the theremin, played by Ragdoll’s friend
Chris from the band Passing Time.
On stage with Isby

In keeping with the fiery, foreboding themes of his work, Ragdoll’s
one-line bio on his webpage at ReverbNation declares that he’s from
Canton, Ohio by way of Death Valley. I contacted Ragdoll to ask him
about his music, which ranges from languid, fever-dream folk
hallucinations to punk-blues freak-outs populated with visions of
biblical terrors like the Four Horsemen of the Apocalypse.

What I found out is that he is something of a local visionary. He
taught himself to play guitar at the age of fifteen and has been at it
for nine years, in the belief that he was born to accomplish nothing
less than the salvation of rock and roll. “Radgoll is sort of an urban
spirit name,” he told me. How he obtained the name is almost biblical
in its telling. Long ago, in the midst of a spiritual odyssey, he
found himself lingering on the edge of a forest. Something told him to
remove his shoes and wander, and by nightfall he was lost among the
swaying trees. There he experienced revelations. By morning, he had
found the edge of the woods, and he returned to civilization with the
new name which he continues to use to this day.

Ragdoll draws imagery for his songs from the bible. However, he is
attracted to street preachers rather than organized religion. Ask him
what his favorite bible passage is and he’ll direct you to Matthew
10:34, which begins: “Do not think that I came to bring peace on the
earth; I did not come to bring peace, but a sword.” In fact, the fire
and brimstone urgency of the street preacher finds its way into many
of his songs, with titles like “Call O’ Ye Bones,” “Rapture Rag,” and
“The Four Horsemen.” Other songs prominently feature horrific images
of death and decay. And yet, if you’re lucky enough to catch Ragdoll
live, it’s somehow a foot-stomping, hand-clapping great time. It
wouldn’t work at all if he didn’t have the right combination of
bravado, 40-days-in-the-desert stripped blues, and a (sometimes)
tongue-in-cheek sense of the macabre.





And then there’s Ragdoll’s striking visual style, which features an
altogether appropriate mane of atomic fireball colored hair, and a
candy-colored striped sock on the shoeless foot he uses to drive the
beat on his impressively retro stompbox. His recently released CD is
covered in spattered psychedelic primary colors and comes in a
hand-sewn sleeve made of red and blue felt, like the pocket on a
ragdoll. It’s equal parts innocence and macabre, a revival of old
styles and themes combined with a sensibility that is of the modern
do-it-yourself era.




I don’t know if Ragdoll Dolly Rocker can save rock and roll, or even
if it needs saving. I do know that he’s doing something
different—something you won’t see anyone else doing, and he’s doing it
well enough to convert anyone who listens into devotees, one raw,
hypnotic, blistering note at a time.



ReverbNation Page for D.R.R.:
See Dolly Rocker Ragdoll in NE Ohio at these locations, on these dates:

The Eerie Street Sideshow (Thirteenth Floor Art Gallery)
Thirteenth Floor 46 Erie St N Massillon, Ohio 44646
Date and Time: Friday, July 13th at 8:00PM

The Summer Fling
800 McKinley Monument Drive NW Canton, OHIO 44708
Date and Time: Friday, July 20th at 5:00PM

Thursday, May 24, 2012

Bethesda

Akron Empire would like to welcome guest blogger Ash Adams, a freelance writer and good friend with Ohio roots currently based in Anchorage, Alaska. Her work has appeared in dozens of publications nationally. To follow Adams' work, visit her blog, Brian & Ash, which she manages with her husband, Brian Adams.

This Band Could Be Your Life: Bethesda

Photo courtesy of Brian Adams


It's really rare for one of your friends' bands to be one that you actually listen to when they're not around. And it's not because you don't love your friends—you do—it's just that you'd rather listen to good music.

This is why it took me almost 2 years to listen to Bethesda's first EP. Because I'm friends with Eric Ling and Shanna Delaney and, quite frankly, a little jaded after listening to a lot of bad music created by good people that I love. So when I finally listened to the band's first full-length album, Love in the Time of Tra La La, I was humbled, I was ashamed, and at the same time, I was squealing with delight.

YES. This was what I'd been waiting for at all of those other shows, listening to all of the failed bands of my friends.

Powerhouse lady vocals, poignant lyrics, melodic guitars, dancy percussion, tambourine, chimes, violin, and Midwestern swagger all intelligently stitched together into joyful, full sound. It was better than good—it was something I wanted to listen to and share with people.

My lack of faith then is embarrassing still. It's not that I didn't know that they were talented—the first time I heard Shanna's voice was in her car on one summer day in Kent, and I was blown away. So, consider this piece my personal apology for not believing in you guys from the get-go, Shanna and Eric. Please understand that I'd just been burned too many times before.

This disclosure is also for you, the reader. I may be friends with Bethesda, but I am still severely unbiased. I had no idea that Bethesda's songs would make it onto nearly every mix I've made during the past 2 years, including the one I made for my first child's birth. In fact, if asked beforehand, I may have bet against them. But I was wrong, so wrong.

And even still, Eric was willing to answer a few questions for me this week so that I could tell their story on this blog.

Bethesda's story starts in the way of many good stories. He meets she and then good things happen. Eric and Shanna, now married, were both attending Kent State, where they met one night through a mutual friend at a local pizza shop, Pete's Arena. “We had one of those moments,” Eric says, “where we knew something significant had just happened. A few “chance” encounters later, Shanna scrawled her number down my arm and the rest is history. I was hers without debate from that time forward.”

Eric was writing lo-fi guitar songs before they met, and Shanna was just coming out of the Kent State musical theatre program, so it was natural that music was a part of their relationship from the very beginning. “It was actually really difficult to begin with,” Eric says. “Shanna was vocally trained, and I was not trained in anything – ever. So there was a natural tension as we stumbled towards coming up with something that we were both excited about. After quite a bit of blood, sweat and tears, we had a handful of lo-fi acoustic-folk songs that we started to perform for our friends and family.”

They started playing these songs together as the Silver Diamond Doves. A couple of years later, Eric says, after attending an Anathallo, Sufjan Stevens show at Calvin College, the duo decided that they wanted to collaborate with other musicians, “to bring even more life to the songs that we had been creating.”

The couple spread the word at Vineyard Community Church, a local arts-focused church that they attended, and soon the couple had found a bassist (Dan Corby), a drummer (Justin Rife), and the band's original guitarist (Jesse Sloan).

“Soon, we had a full band, and we were intoxicated by the creative high of collaborating to create something truly original, full, and a whole level above what we were capable of by ourselves,” Eric says. “In our first practice, we had our ahhhhhhh! moment where everything fit so perfectly and naturally that we knew we wanted to take it as far as we possibly could.”

The band booked their first show at a coffee shop in Stow soon after, but as the day quickly approached, the group was still without a name. In the end, the name came from Sloan's father who suggested “Bethesda,” which in Jewish and Christian tradition is a pool of healing.

“We love the imagery of this place where the broken gathered in hopes that the water will bring some healing and give new life to them,” Eric says. “We write honest songs about the suffering and difficulties of life, but also about the life-giving hope that we believe in, so we thought it was fitting.”

The name stuck. It has just been a few years since Bethesda played that first show in the coffee shop, but since then, the Akron/Kent-based sextet has toured all over the country, playing at SXSW this year and booked for Bonnaroo 2012. The band has been slated for over thirty shows on big-name networks, and was interviewed by the Rock and Roll Hall of Fame.

Photo courtesy of Brian Adams


And, in addition to working day jobs, they've found time to do some serious recording. After releasing its self-titled EP in 2008, the band released its first full-length album (Love in the Time of Tra La La) in 2010, its second EP (Dreamtiger & Other Tails) in 2011, and they are currently working on their second full-length album, which is scheduled to be released in 2013.

“We are really excited about this one,” Eric says of the album currently in production, tentatively called The Reunion. “I think people will be surprised by the dynamics of the album.”

But even though they've been gaining national acclaim, Bethesda hasn't lost their Cleveland pride.

“Cleveland is a city whose musical history is full of some of rock’s greatest acts,” Eric says. “With the burden and delight of this history, Cleveland is in the middle of an artistic resurgence as the city continues to be filled with appreciative folks that care about culture and invest in their communities. We are thrilled to be a small part of it each time we take the stage in Cleveland. It is truly an electric and unique experience. Really, I think it is a legacy thing. When kids grow up in a creative culture, they are more likely to be supported in their own creative efforts and believe in the importance of creating and sharing their art form. We are privileged to be a part of such a community.”

If you haven't heard Bethesda yet, chances are you will soon. To see them live, visit their website to keep up with their tour schedule or head up to the BeachlandTavern next Wednesday, May 30th where they'll be opening for Plants & Animals.

Thursday, April 12, 2012

Shivering Timbers

This Band Could Be Your Life: Shivering Timbers
by Brit Charek

Never underestimate the power of parenthood. The birth of their daughter inspired Akron based couple Jayson and Sarah Benn to start making music, and they haven't stopped since.


Getting ready to perform at Rowdy Indie Craft Fair in August of 2011. Photo courtesy of Kalie Boshara.
Shivering Timbers got their start in 2010 by playing their nursery-rhyme inspired folk rock songs at their friend Dan Auerbach (of Black Keys fame)'s 30th birthday party. Impressed with the performance, Auerbach went on to produce the duo's first album, We All Started in the Same Place. The acclaim of which lead the duo into an unexpected career in rock n roll.

Since then, the band has played several shows throughout the Mid West, and even took the time to stop at the Horseshack in Rock Island, Illinois where they recorded a Daytrotter Session to add their share to the studio's extensive but exclusive library.

They are currently working on a new album which is expected to be released this autumn. Brad Thorla joins the duo to play drums, and the band is really excited about having a fuller sound. The husband and wife team will still both sing, with Sarah playing upright bass and Jayson on guitar.

"I love the commitment of Akronites to being Akron-proud," says singer Sarah Benn, who considers Akron to be her home although she didn't grow up here. "People I know here are not willing to give up and let our city dwindle in the bad economy.  Keeping optimistic and being creative are hallmarks of Northeast Ohioans in general."

 

Shivering Timbers are playing with Diego Garcia, former front man of garage rock band Elefant, at Musica tomorrow, Friday April 13. The show starts at 8pm. You can learn more about the band, find out about shows, and purchase their music by visiting their website or by liking them on Facebook.